I finally got around to reading the late David Foster Wallace’s famous essay, "Shipping Out," about seven days on a luxury cruise. (It’s included in his book, A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments) I’m spending the night at the Four Seasons Resort & Spa in Las Colinas and a friend sent me a copy as perfect reading material for a night swaddled in comfort. Or, as Wallace hilariously calls it, Pamper-swaddled.
I found the essay dazzling, annoying and frustrating.
It is dazzling in its humor, insight, broad sweep, attention to detail and just plain great writing. I don’t need to heap praise on it—praise has been heaped on it since it first appeared in Harper’s magazine in 1996. I battled all my taunting demons of envy as I read it. Wallace’s death last year, by his own hand, is certainly a loss to letters.
But I also found the essay annoying because as far as I’m concerned, mocking cruises is shooting fish in a barrel—and I use a cliché to describe a cliché. Anthologies could be filled with cruise-mocking essays (hm … not a bad idea). Cruises are for philistines, for white-shoed, shuffleboard-playing, sunburned geriatrics. Hahaha! They’re so OLD! Not old-old, Wallace wrote, “…but like fiftyish people for whom their own mortality is something more than an abstraction. Most of the exposed bodies to be seen all over the daytime Nadir were in various stages of disintegration.”
Yeah, sure, I take that personally but it’s more than that. I also feel a little queasy when writers insert themselves into situations they know they’ll scorn and then give themselves free rein.
The captain of the ship—fair game. (Most cruise ship captains I’ve met were mockable—dinner at the captain’s table is an honor I dread.) The cruise director—fair game and well played, Wallace. Same with the scary hotel manager.
But Wallace’s fellow passengers were people who had saved their money to do something they enjoy and who the hell is he (or any other writer) to stand on deck and take potshots? “There is something inescapably bovine about a herd of American tourists in motion, a certain greedy placidity,” Wallace wrote about observing his fellow passengers from an upper deck as they disembarked.
Well la-di-da. Funny, yes. But nasty.
Granted, I am a little torn. I don’t necessarily disagree with what Wallace wrote, but hipper/younger/smarter-than-thou scorn gives me hives. Wanna get my eyes rolling? Tell me you’re “a traveler, not a tourist.” Uh-huh. Why? Because you take public transportation? Because you don’t wear white shoes?
I note that when Wallace got to know some of his bovine shipmates—specifically the group he dined with each night—he liked them a lot. “…I want to get a description of supper out of the way fast and avoid saying much about them for fear of hurting their feelings by noting any character defects or eccentricities that might seem potentially mean,” he wrote.
As with any bigotry, Wallace could not maintain his negative preconceptions when he became friends with a member of the group he scorned. This was not a faceless bovine group, these were individual human beings. Why did they deserve cheap shots from an on-high observer who, if not being paid, would not choose to participate?
I laughed at his descriptions and then felt guilty.
My final personal issue with Wallace’s essay has nothing to do with the writing or the topic. It is simple and pure career envy. The essay ran 24 pages in Harper’s. Twenty four! It’s full of digressions and his famous long footnotes and navel-gazing and even some repetition of concepts. My god, I can’t imagine having that kind of space to indulge an essay. Every time I submit anything more than 1,000 words, it is either rejected outright or trimmed to its essence. State your case, give an example, and out. No indulgence for color or creativity or experimentation. Nobody has time for that.
I’m no David Foster Wallace, sure. I know that. But to develop writing chops for long-form essay, I would need an editor’s help and no editor I know has the time or inclination.
I feel like a bonsai tree. Every time I try to grow, I am trimmed back until the effort seems futile. And so my writing grows ever more precious. I enjoy writing short but am starting to fear I’m incapable of more.
All that, from an hour of reading...
1 comment:
Great post, Sophie. It looks at something that bothers me, too -- the whole idea of what kind of people we can still make fun of with impunity. Point a finger at them, make a smug, knowing remark and the world laughs along with you. That list includes working-class Southerners -- and who else? The badly dressed (those white shoes!), the elderly. I'm sure I'm missing some groups, since I'm probably a member of them.
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